It’s Christmas Eve, and we follow a family as they drive to their destination on Long Island. Upon their safe arrival, they join many loved ones from their family whom they haven’t seen in a while. Viewers are invited to join the Christmas celebration with this extended family as the night unfolds. There are many heartfelt conversations and family catchups as the night goes on, along with disagreements, playful mischief—especially from the teenagers— and, most importantly, many family traditions.
Christmas Eve in Miller’s Point uniquely blends comedy and drama. The film was co-written and directed by Tyler Taormina, known for his previous works, including Ham on Rye (2019) and Happer’s Comet (2022). Unlike traditional Christmas or holiday films, this movie isn’t aiming for the typical fit—it’s not a national lampoon by any means. Instead, it offers something different. This film revolves around a Christmas celebration with a large family, and as the viewer, you are invited to participate in the experience. It’s a unique and exciting concept that allows us to witness firsthand the interactions within the family. Interestingly, there is no single lead actor; instead, the story unfolds through the perspectives of various family members throughout the entire Christmas Eve celebration.
Many moments in this film will resonate with audiences, particularly those from large families. Viewers will see kids playing video games in one room, observe parental disagreements, and hear family members discussing issues such as home maintenance. There is also some humour here, too, including bad jokes and the familiar sight of that one family member who always hogs the bathroom. And, of course, there is nonstop Christmas music on-screen to enhance the festive atmosphere.
However, this film didn’t work for me as well as I had hoped. While watching a family celebrate Christmas with various relatives is relatable, and some minor elements are humorous, I found the film more engaging when it focused primarily on family interactions at home. Unfortunately, several subplots did not resonate with me. For instance, the storyline involving a pair of police officers who are relatively quiet needed more emotional depth to capture my interest. Similarly, the antics of teenagers escaping for their own Christmas venture and attempted fun left me feeling unenthused and less entertained.
Some creative choices in the film are undoubtedly visually unique; however, I sometimes found these choices distracting. This includes certain shots that needed to be more focused. I appreciated the moments that felt more like an old movie montage, accompanied by uplifting music, as family members reflected, talked, and spent quality time together.
I found the first act and opening extremely enjoyable in terms of pacing. I was engaged by the concept, which differed from any Christmas film I had seen. However, as the movie progressed, its direction and journey became less exciting, and I found myself growing bored and my investment in the multiple stories dwindling. The film’s climax did not impact or resonate with me. However, like many aspects of the film, perceptions may vary among viewers.
Overall, Christmas Eve in Miller’s Point presents a unique and exciting concept, inviting viewers to experience a large family gathering on Christmas Eve. Despite the lack of a singular leading character, I felt like I was attending a family Christmas. While the multiple traditions, jokes, and family banter were relatable, I found myself uninterested in the discussions after the first act. At the commencement of the second act, the film shifted focus to different subplots, which decreased my interest. Visually, the creative choices were striking, but at times, they felt distracting and more like errors. I didn’t find these editing choices particularly joyful or compelling, but opinions on Christmas films often vary.
Christmas Eve in Miller’s Point (2024) is Now Available in Australian Cinemas!
FILM SCORE: 4.1/10
Published: 16th November 2024
Written by: Peter Walkden
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